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Cover of The Reminder by Feist

THE REMINDER

by Feist — In Stores Now!

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The Hour struck Feist

Friday, May 16, 2008

Feist recently appeared (as promised below) on the CBC programme The Hour. I found this YouTube video and am, at present—with you here with me—embarking upon the world of embedded video. Hopefully it doesn't steal the sheets.

Before the interview portion of the video (ideally embedded below), there is a Coles Notes fast-edit guide to Leslie's life. It's pretty good, I like it. After the interview, which you would-could-should enjoy, there is a suggestion that there is MORE to the video after the break. I'm not sure how true this is. It appears true, but I have no more footage. Frankly, I think you'll like this-much that-much (move hands wide apart), even without the bonus track. So, if you have 626 seconds, do take a look.

"FEIST SUED BY SEVEN AND EIGHT"

Thursday, May 15, 2008

Numbers 1 to 10 Newswire—Attorneys representing two co-plaintiffs, Seven and Eight, filed suit against singer Leslie Feist (stage name Feist) yesterday in Circuit Court.



The suit comes nearly one year after the release of Feist’s full length album, The Reminder, which graced many music critics’ “Best of 2007” lists. Although also a member of Canadian rock band Broken Social Scene, Feist is best known for her highest selling song, “1 2 3 4,” which was featured in an Apple iTunes commercial in the summer of 2007. It is this song that sparked the lawsuit from Seven and Eight, as well as an injunction to stop the song from being played in public places and on the radio.



A representative for Eight told journalists outside the courtroom, “Thanks to this song, anyone who has a radio or television set knows about One, Two, Three, Four, Five, Six, Nine and Ten. What about my client? This is a blatant case of discrimination in order to profit off of some contrived line-verse form.”



The suit cites the Numbers with Disabilities Act, which provides discrimination protection for numbers that are not as divisible or attractive as others.



Neither Seven nor Eight have been shy when it comes to the courts. In 1995, Seven filed a defamation lawsuit against New Line Cinema for its feature film, Se7en, starring Brad Pitt and Morgan Freeman, claiming that the name as well as the use of the numeral “7” implicated the plaintiff with “gruesome and immoral acts.” The suit was settled out of court for an undisclosed amount. Seven has attempted similar suits against the Prince song “7” and the television series 7th Heaven. Both were dismissed when the courts ruled “Plaintiff [Seven] failed to produce evidence showing the existence of essential elements of each claim.”




To read the rest of this article, visit Paste Magazine. Seven really does seem to have a bit of an attitude. Like, super aggressive. Remember this one? "Why's six afraid of seven?" (Answer: because seven ate nine.)

Hat-trick Daughters (plus two)

Wednesday, May 14, 2008
Feist and 1234

The Music Video Production Association has just released its nominations for the 2008 awards ceremony. Patrick Daughters, director of several Feist videos, is in the lead with five nominations. Two of his recent Feist videos (I Feel it All and 1234) are mentioned under several categories (you can review the full list here). One of Patrick's prospective awards is for Director of the Year, a nomination specific to the two just-mentioned Feist videos, and also for the Liars' Plaster Casts of Everything.



Other Daughters/Feist collaborations include My Moon My Man and the second version of Mushaboom. I just checked the YouTube video for 1234 and it has now been viewed more than 9 million times.

Gonzpiration

Friday, May 9, 2008
Gonzales

Feist co-conspirator-collaborator-producer Gonzales is playing tonight at the Jane Mallet Theatre in Toronto. This is a rare performance by the criminal mastermind O.G. (Original Gonzales)—a man known as much for his slight of hand—as (soon) his album Soft Power. This record, at long last, makes Feist and Gonzales label-mates on Arts and Crafts.



Gonzo co-produced Feist's last two-albums and sprinkles his dust around a great gang of other musical minds. You will find this out when you read this article.



This video for his first single, Working Together, is amazing. When you're done, search and rescue his last album Solo Piano from the past, that time before you carried it always, hither and nigh.



And then, and then, if you're in Toronto tonight (and somehow if you're not), come see Gonzales, at the Jane Mallett Theatre, St. Lawrence Centre for the Performing Arts {27 Front Street East}. Doors are at 7:00; Tickets available at the door.



Here is an excerpt from the article linked to above, to tease you:



"Audiences in France have grown accustomed to Gonzales’s prankish humour: in concert, he is apt to cover Phil Collins and Philip Bailey’s Easy Lover or perform in white gloves with his hands projected on a screen above the stage. But even there, fans aren’t sure how to take his provocations."

The Hour strikes Feist

Friday, May 9, 2008

Feist will be tick-talking with George Stroumboulopoulos on the Canadian programme The Hour on Monday, May 12 at 11:00 pm (CBC-TV, Canada). This story is developing...

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